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    Something almost unhealthy emerges from this obsessive relationship with objects; something close to abhorrent, which is linked to the decomposition and the objectification of the subject. As a result, the display is, therefore, an address to each of these artists. Isabelle Cornaro born inliving and working in Paris and Geneva has displayed her work in France and abroad in numerous collective exhibitions, at the Hammer Museum in Los Angelesat the Palais de Tokyoat the Centre Pompidouthe Louvre Museum as well as the High Line in New York Activities are also organised throughout the year for different groups of people. In these spray paintings, made by projecting pigments onto the surface of the film, the artist deconstructs the animated image to produce a series of stills. Each room has also been carefully thought out with the artist invited to produce the soundtrack in mind. On this same floor, Isabelle Cornaro presents a dialogue between her own films and a selection of film excerpts found on the internet:

  • EN Musée régional d'art contemporain LanguedocRoussillon

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    Once collected, these objects are then arranged by the artist to serve as the foundation of an artistic process that expresses itself through film as well as painting and sculpture.

    EN Musée régional d'art contemporain LanguedocRoussillon

    Her work is based on a mastery of collage which uses images and objects stemming from both scholarly and popular cultures. On this same floor, Isabelle Cornaro presents a dialogue between her own films and a selection of film excerpts found on the internet: These objects embody a potential which is as emotional as it is symbolic: Activities are also organised throughout the year for different groups of people.

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    Also covered with spray paint, they create a spatial oscillation that is just as much retinal as it is conceptual.

    These soundtracks are made available to visitors via a QR code for the duration of the exhibition. Agrandir le plan By car: The different areas of the museum offer visitors the chance to see a rich and varied range of exhibits in a warm and friendly atmosphere. Access for visitors with disabilitie s. On this same floor, Isabelle Cornaro presents a dialogue between her own films and a selection of film excerpts found on the internet:

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    Between abstraction and portrayal, moving images and freeze-frames, Blue Spill presents us with a immersion into a singular universe, where the border between object and subject is constantly being reconfigured, where eroticism mingles with gore, seduction borders on repulsion, and formalism mixes with emotions.

    For her first exhibition in a French museum, Isabelle Cornaro has taken over both floors of the MRAC Occitanie with Blue Spill, a project that has been specifically conceived for the venue. Activities are also organised throughout the year for different groups of people.

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    Isabelle Cornaro born inliving and working in Paris and Geneva has displayed her work in France and abroad in numerous collective exhibitions, at the Hammer Museum in Los Angelesat the Palais de Tokyoat the Centre Pompidouthe Louvre Museum as well as the High Line in New York Exhibition Until June 02 june Curator: These objects embody a potential which is as emotional as it is symbolic: Also covered with spray paint, they create a spatial oscillation that is just as much retinal as it is conceptual.

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    Also covered with spray paint, they create a spatial oscillation that is just as much retinal as it is conceptual.

    The Chinese vases, vintage jewels and Persian carpets that the artist gleans from flea markets, all refer to a popular culture that makes use of the iconography of luxury to produce objects that are accessible to everyone.

    Between abstraction and portrayal, moving images and freeze-frames, Blue Spill presents us with a immersion into a singular universe, where the border between object and subject is constantly being reconfigured, where eroticism mingles with gore, seduction borders on repulsion, and formalism mixes with emotions. Facilities include an exhibition room of graphic arts, exhibition areas, a video room, a reading room, a gift and bookshop.

    Once a year, the museum refreshes its exhibitions to highlight its latest acquisitions and offer new layouts to visitors.

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    The spray creates fuzziness, an absence of focus that dissolves and numbs the image, making it almost abstract, producing parallels with both the pointillism cherished by the impressionists and the pixelisation of digital images. Once a year, the museum refreshes its exhibitions to highlight its latest acquisitions and offer new layouts to visitors.

    The act of watching is reconstructed through several films shot in 16 mm and then transferred onto a digital medium.

    The different areas of the museum offer visitors the chance to see a rich and varied range of exhibits in a warm and friendly atmosphere. For the display of its collection, the Mrac has commissioned seven soundtracks by seven artists for visitors to listen to as they stroll through the seven rooms dedicated to its collection.

    Exhibition Until June 02 june Curator: Isabelle Cornaro born inliving and working in Paris and Geneva has displayed her work in France and abroad in numerous collective exhibitions, at the Hammer Museum in Los Angelesat the Palais de Tokyoat the Centre Pompidouthe Louvre Museum as well as the High Line in New York

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    These films share a common origin -- a mainstream entertainment culture that transforms objects into fetishes, using a gestural language and framing that are voluntarily excessive.

    This creates visual effects both inside and outside the building. Isabelle Cornaro born inliving and working in Paris and Geneva has displayed her work in France and abroad in numerous collective exhibitions, at the Hammer Museum in Los Angelesat the Palais de Tokyoat the Centre Pompidouthe Louvre Museum as well as the High Line in New York Over the past fifteen years, Isabelle Cornaro has explored the relationship between an object and its image, the original and its copy, in her quest for the deconstruction of visual archetypes.

    Also covered with spray paint, they create a spatial oscillation that is just as much retinal as it is conceptual.

    5 comments

    • Neshura

      Once a year, the museum refreshes its exhibitions to highlight its latest acquisitions and offer new layouts to visitors. Activities are also organised throughout the year for different groups of people.

    • Vudokree

      On this same floor, Isabelle Cornaro presents a dialogue between her own films and a selection of film excerpts found on the internet: Closed on public holidays.

    • Grogore

      This invitation offers her the occasion to develop the organic links between her filming method and her pictorial and sculptural techniques. The act of watching is reconstructed through several films shot in 16 mm and then transferred onto a digital medium.